PhotoMortifications are a series of photographs into which computer models of 3D digital sculptures have been integrated. In the Mortifications series, a realistic nude is mathematically mutilated, and subjected to irregular, apparently organic deformations. By juxtaposing organic forms that evoke rotting and decay with the rational permutations of computer-generated imagery, Mortifications propose a digital Baroque. PhotoMortifications integrate expressive sculptures into photos of hyper modernist buildings and museums of science and natural history. The contrast between the two conveys the denial of the human (in a vacuity without pathos and emotion) by the oppressive anonymity of bureaucratic techno-culture.
Claudia Hart graduated from New York University with a BA cum laude in art history in 1978, and then studied architecture at the Columbia University Graduate School of Architecture. She then practiced as an art and architecture critic. In 1985-86, she was Associate Editor of ID (then Industrial Design Magazine) where, along with Senior Editor Steven Skov Holt, she redeveloped it into its present form, ID: the Magazine of International Design. Hart has published her critical writings widely, and then went to Artforum magazine where she served as Reviews Editor until 1988. She continues to write critically but in the academic context, presenting papers at the past three College Art Association conferences with a new paper, Baby doll: Boys and Their Virtual Toys, scheduled for the National Women’s Studies conference in Denver this November.
In 1988, Hart showed multi media work with the Pat Hearn Gallery in New York, moving from critical to artistic practice. At that time, she exhibited paintings and installations inspired by the visionary architecture from the French Enlightenment. After receiving an NEA Fellowship in 1989, she shifted her practice to Europe where she spent ten years and received numerous fellowships, including the Kunstfond Bonn, Stiftung Kulturfonds, the Stiftung Luftbrueckendank Grant, the Arts International Foundation Grant, the Kunstlerhaus Bethanian grant and two fellowships from the American Center in Paris. In Europe she exhibited widely with galleries and museums. Her work from this time has been collected by the Museum of Modern Art, NY; The Metropolitan Museum, NY; The MIT List Center, Cambridge; The Vera List Center for Art and Politics, New School, New York; The San Diego Museum of Contemporary Art; the Museum of Contemporary Art, Berlin; and the Sammlung Goetz Museum, Munich.
Hart is currently an Associate Professor in the department of Film, Video, New Media and Animation at the School of the Art Institute of Chicago. She is represented by bitforms gallery, NY. Her new works are part of The Sandor Family Collection, Chicago, the Teutloff Photo + Video Collection, Cologne, and the Borosan Collection, Istanbul, among others.