The present composition is focused on the concept of language, primarily on it’s written and oral form.

Every language, whether written or oral, contains symbols and its own distinctive sounds that distinguish it from others by providing a specific identity and hence uniqueness.

Syntax has the meaning of order and this order is dictated by the syntactic composition model adopted.

To order, therefore, different languages by means of a unique syntax of composition, paradoxically lead not only to a sort of hybridization but also to a highlighting of the different symbolic and sonorous variables of the individual languages involved.

In this regard, a poem has been translated into different languages and then has been processed using the same programming language, typical of Internet browsers, leading to build a horizontal babel with the vain purpose of standardize the communication.

This construction is destined to collapse by the structure used as insufficient and inappropriate to the assumption and contrary to its own intrinsic value in the diversity of its components because it tends to destroy both the form and substance of symbols and original meanings.

Communication without communicability: silence.

The sounds used are the result of the conversion of text using speech synthesizers and their following transformations.

s y n t a x e a english version

architecture of signs
for architorture of meanings
between the effluent lines in
confluential curves for
influential points of an
acerbic verb
embedded by the memory
between grammatical pentagons
in search of the
“not being”
distilled from the silent vanity of the truth

absolution

a connection attached illogically to the logical
opening up deflecting parables of functional
fictions form / informaction

form the form
the footprint of the form

temporal commas
between measuring angles
conforming the space
exacerbating vulgarity
impassive of doubt

syntactic tactics electrify reflexes
of the cathodic eyes
branching off the canonization of catharsis
for dystrophies anestetically static

duality of intentions
spilled into
ambiguity of necessitudes

erroneous 0

silent words
between the silence of the words
essence of the without:
judgment of absence

communication without communicability: silence

___________________________________

s y n t a x e a original text

architetture di segni per
architorture di significati
tra le linee affluenti in
curve confluenti per i
punti influenti di un
verbo acerbo
incastonato dalla memoria
tra pentagoni grammaticali
alla ricerca del
“non essere”
distillato dalla silente vanitá della veritá

as+soluzione

un nesso annesso illogicamente per il logico
sino allo schiudere di parabole deviatrici
di finzioni funzionali

forma in/forma+azione

forma la forma
l’ orma nella forma

virgole temporali
tra angoli di misura
conformano lo spazio
esacerbando volgaritá
impassibili di dubbio

tattiche sintattiche elettrificano i riflessi
di occhi catodici
diramando la canonizzazione della catarsi
per distrofie an-estetica/mente statiche

suss/urla

dualità di intenzioni
riversate in
ambiguità di necessitudini

erroneo 0

parole silenziose
tra il silenzio delle parole
essenza del senza:
sentenza di assenza

comunicazione priva di comunicabilitá: silenzio

__________________________________

• Sarah Straßmann – Opposite
• All
• Mary Thompson – Ludic Automatons